Jede Karte trennt die Kamera-Anweisung vom Szenen-Inhalt, damit der Prompt wiederverwendbar bleibt, wenn du das erste Frame austauschst.
SHOT 01PAN / TILT
Static
locked static frame. Motion: hold one fixed camera position for the entire shot. Speed: still, no drift. Framing: preserve the same angle, height, lens distance, and composition throughout. Ending: end on the exact same framing you started with.
SHOT 02PAN / TILT
Pan
rightward pan. Motion: rotate the camera horizontally from left to right around one fixed pivot. Speed: smooth, constant rotation. Framing: keep the horizon level while new space enters from the right. Ending: land on a clear final composition.
SHOT 03PAN / TILT
Tilt up
upward tilt. Motion: rotate the camera upward around a fixed pivot. Speed: smooth, constant tilt. Framing: keep the vertical subject or architecture centered as the frame travels up. Ending: settle on the upper target.
SHOT 04PAN / TILT
Tilt down
downward tilt. Motion: rotate the camera downward around a fixed pivot. Speed: smooth, constant tilt. Framing: keep the vertical subject or architecture centered as the frame travels down. Ending: settle on the lower target.
SHOT 05PAN / TILT
Whip pan
whip pan to the right. Motion: rotate very rapidly from the starting direction to a new target on the right. Speed: fast snap with brief motion blur. Framing: begin on one readable composition, land on a second readable one. Ending: settle on a sharp final frame.
SHOT 06PAN / TILT
Dutch angle
canted horizon shot. Motion: hold or drift slowly while the entire camera rolls off the level axis. Speed: subtle, controlled roll into the tilt. Framing: keep the primary subject clearly readable while the horizon tips diagonally across the frame, injecting unease and tension. Ending: hold the canted composition.
SHOT 07DOLLY / TRACK
Dolly in
push in on subject. Motion: glide the camera forward in a straight line toward the primary subject. Speed: even, controlled push. Framing: hold camera height, lens direction, and subject placement steady while the distance shrinks. Ending: land on a tighter, stable composition.
SHOT 08DOLLY / TRACK
Dolly out
pull back from subject. Motion: slide the camera straight backward, retreating from the main subject. Speed: measured, smooth reverse. Framing: keep the lens axis and camera height locked while more of the environment opens up. Ending: settle on a wider, stable composition.
SHOT 09DOLLY / TRACK
Tracking
traveling shot with subject. Motion: move through the scene alongside the main subject. Speed: matched to the subject's own pace. Framing: keep the subject clearly readable as the world drifts past. Ending: hold a stable moving composition.
SHOT 10DOLLY / TRACK
Follow / over-the-shoulder
trailing follow shot. Motion: travel behind the subject at shoulder height along their path. Speed: locked to the subject's speed. Framing: use the back, shoulder, or head as foreground while the road ahead stays clear. Ending: keep following, subject leading the frame.
SHOT 11DOLLY / TRACK
Reverse tracking / walk-and-talk
reverse dolly walk. Motion: move backward directly in front of the walking subject. Speed: matched to their forward pace. Framing: keep the front of face and body stable while the background flows behind them. Ending: hold a clean front-facing moving frame.
SHOT 12DOLLY / TRACK
Side tracking
parallel tracking shot. Motion: travel alongside the subject on a line parallel to their direction. Speed: matched to their motion. Framing: hold subject in side profile or three-quarter view at a stable distance. Ending: keep the lateral motion clean and continuous.
SHOT 14DOLLY / TRACK
Vehicle tracking
vehicle tracking shot. Motion: travel alongside or behind a moving vehicle along the action line. Speed: matched to the vehicle's pace. Framing: keep the vehicle clearly readable while the road and environment flow past. Ending: hold a stable moving composition on the vehicle.
SHOT 44DOLLY / TRACK
Chase
reactive chase follow. Motion: pursue a running or moving subject fast along the action line. Speed: quick, physical, close-in, kinetic. Framing: keep the subject clearly visible while allowing energetic reframing and micro-adjustments. Ending: stay locked onto the subject in motion.
SHOT 13DOLLY / TRACK
Low tracking
ground-level tracking. Motion: travel at ground or below-waist height along the subject's path. Speed: locked to footsteps or wheels. Framing: keep low details sharp while the ground plane runs through the frame. Ending: end with the low viewpoint intact.
SHOT 15ZOOM / LENS
Slow zoom in
gradual zoom in. Motion: slowly extend the focal length toward a tighter frame. Speed: gentle and even. Framing: keep the main target readable as it grows in frame. Ending: settle on a stable tighter composition.
SHOT 16ZOOM / LENS
Slow zoom out
gradual zoom out. Motion: slowly shorten the focal length toward a wider frame. Speed: gentle and even. Framing: keep the main target readable as more surroundings appear. Ending: settle on a stable wider composition.
SHOT 17ZOOM / LENS
Fast zoom in
quick zoom in. Motion: rapidly extend focal length toward the target. Speed: brisk, decisive push. Framing: keep the target centered or clearly readable through the scale change. Ending: settle on a stable tighter composition.
SHOT 18ZOOM / LENS
Fast zoom out
quick zoom out. Motion: rapidly shorten focal length away from the target. Speed: brisk, decisive pull. Framing: keep the target readable as environment opens up. Ending: settle on a stable wider composition.
SHOT 19ZOOM / LENS
Crash zoom in
snap zoom in. Motion: whip the lens toward the target very quickly. Speed: sharp and punchy. Framing: keep the target readable through the abrupt scale change. Ending: land on a bold tighter composition.
SHOT 20ZOOM / LENS
Crash zoom out
snap zoom out. Motion: whip the lens away from the target very quickly. Speed: sharp and punchy. Framing: keep the target readable as space suddenly opens. Ending: land on a bold wider composition.
SHOT 21PHYSISCHE BEWEGUNGEN
Truck
lateral truck. Motion: slide the whole camera sideways along a straight horizontal path. Speed: constant, smooth traversal. Framing: keep lens direction fixed while the scene slides across frame. Ending: land on a clean lateral composition.
SHOT 23PHYSISCHE BEWEGUNGEN
Pedestal up
vertical lift up. Motion: raise the entire camera straight up. Speed: even, smooth lift. Framing: keep the lens level and pointed in the same direction throughout the rise. Ending: end with the raised framing clearly readable.
SHOT 24PHYSISCHE BEWEGUNGEN
Pedestal down
vertical lower. Motion: lower the entire camera straight down. Speed: even, smooth descent. Framing: keep the lens level and pointed in the same direction during descent. Ending: end with the lower framing clearly readable.
SHOT 25PHYSISCHE BEWEGUNGEN
Slider
short slider move. Motion: glide the camera a short distance sideways. Speed: slow, steady, controlled. Framing: keep foreground, subject, and background layers readable as parallax shifts. Ending: settle into a refined composition from the new angle.
SHOT 27PHYSISCHE BEWEGUNGEN
Arc
curved arc right. Motion: travel a shallow curve around the main subject toward the right. Speed: smooth, measured curve. Framing: keep distance, height, and subject readability consistent while the angle shifts. Ending: end on a fresh right-side angle.
SHOT 28PHYSISCHE BEWEGUNGEN
Orbit
orbit. Motion: circle around the main subject at a fixed radius. Speed: even, controlled orbit. Framing: keep the subject centered while the background rotates behind them. Ending: complete the intended arc with stable framing.
SHOT 29PHYSISCHE BEWEGUNGEN
Push-past / pass-by
pass-by push. Motion: move forward past a visible foreground element, edge, or opening. Speed: smooth forward glide. Framing: let the foreground brush the lens as the space beyond sharpens. Ending: arrive inside or beyond the foreground layer.
SHOT 30DRONE / CRANE
Drone push in
aerial push in. Motion: fly smoothly forward through open space toward the subject or destination. Speed: controlled aerial glide. Framing: keep the route and destination readable as the camera closes distance. Ending: arrive at a closer aerial composition.
SHOT 31DRONE / CRANE
Drone pull back
aerial pull back. Motion: fly smoothly backward away from the subject or destination. Speed: controlled aerial retreat. Framing: keep the subject readable as more landscape enters frame. Ending: end on a wider aerial composition.
SHOT 32DRONE / CRANE
Crane
crane move. Motion: travel smoothly upward or downward through open space on a crane arm. Speed: slow, controlled lift or descent. Framing: keep subject or location readable as altitude changes. Ending: end with the new scale clearly visible.
SHOT 34DRONE / CRANE
Helicopter
high-altitude sweep. Motion: travel from high altitude along a broad, gradual flight path. Speed: steady, controlled aerial motion. Framing: keep the landscape or distant moving subject readable at wide scale. Ending: land on a stable high-altitude composition.
SHOT 35DRONE / CRANE
FPV drone
first-person racing drone flight. Motion: dive, bank, and swoop along an aggressive three-dimensional path. terrain rush toward the lens; slight wide-angle distortion sits in the edges of the frame.
SHOT 36MENSCHLICHE KAMERA
Handheld
organic handheld. Motion: hold the camera at operator height with natural body movement. Speed: reactive and organic. Framing: keep the subject readable while subtle sway and micro-adjustments live in the frame. Ending: end on a natural handheld composition.
SHOT 37MENSCHLICHE KAMERA
Vlog
vlog shot. Motion: the subject holds the camera at arm's length pointed back at their own face while they move through the scene. Speed: matched to their walking or reacting pace. Framing: keep the subject's face large in frame with the background visible behind them; slight wide-angle look. Ending: end on a natural, personal, direct-address composition.
SHOT 45MENSCHLICHE KAMERA
Body-mounted
body-mounted rig / Snorricam. Motion: lock the camera physically to the subject's torso or chest so it moves exactly with their body. Speed: matched 1:1 to their body motion. Framing: keep the subject perfectly still and centered while the background swirls, bounces, and rotates around them. Ending: end with the subject still locked in frame while the world continues to move behind.
SHOT 38SPECIALS
First-person view
POV movement. Motion: travel forward at human eye height from the character's perspective. Speed: natural walking or reaching pace. Framing: let visible hands, arms, or body edges act as the viewer's physical anchor. Ending: arrive at the next point of action from the same viewpoint.
SHOT 39SPECIALS
Tilt-shift
tilt-shift. Motion: hold or drift slowly from a high-angle view over the scene. Speed: tiny, precise adjustments. Framing: keep a narrow band of sharp focus across the key subject area with soft blur above and below. Ending: preserve the miniature-scale look at the finish.
SHOT 40SPECIALS
Time-lapse
locked time-lapse. Motion: hold one fixed camera position while time races forward. Speed: fast time compression, camera stays still. Framing: preserve the same composition and horizon as movement flows through frame. Ending: end from the same angle with visible passage of time.
SHOT 42SPECIALS
Infinite zoom
endless zoom. Motion: zoom continuously inward toward one exact center target. Speed: smooth, accelerating zoom. Framing: keep the circular target centered as it expands. Ending: end when the next visual world fills the frame.
SHOT 43SPECIALS
Earth zoom out
planet-scale pull out. Motion: pull upward from the starting point through street, city, landscape, and planet scale. Speed: quickly expanding zoom out. Framing: keep the original location centered as scale grows. Ending: end on a planet-scale view with the origin still implied at center.